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But last night Ford said something that snapped everything into sharp focus while out for my weekly ramble around Torquay today. Now, this is not just for the sake of learning how, but with the express intent of developing the skills to do these perfectly every time. I am easily running the risk of misinterpreting such a statement. But what has really surprised me is the longing to be close to my family, and that I could have been more available to them over the last few years. It aches now to think about all the things I want to say, and the connection that, while certainly present, could be a lot more. Give more of yourself. Fear is one reason not to. Fear begets anger, which merely obscures the root causes of fear. Or a relationship for what it truly is. Or an honest assessment.

Kagami-shi tsuba 鏡帥

Early Soft Metal Tsuba In addition to iron, early guards were made from alloys of copper and other “soft metals. A variety of sukashi, carving and inlay techniques were used. Occasionally large plates of 8 or 9 cm diameter are seen, but most surviving examples are relatively small. Hoju Tsuba The soft metal hoju guards appear in the same shapes and sukashi styles the iron ones, but are much thinner.

Raised rims, which are not seen on the iron examples, are common and were probably needed to give rigidity to the plate. It is tempting to assume that these gilded tsuba were for formal wear and the iron ones for use, but who knows if our reaction to these metals is the same as that of the people who made them years ago.

Japanese sword mountings are the various housings and associated fittings that hold the blade of a Japanese sword when it is being worn or stored. Koshirae (拵え) refers to the ornate mountings of a Japanese sword (e.g. katana) used when the sword blade is being worn by its owner, whereas the shirasaya is a plain undecorated wooden mounting composed of a saya and tsuka that the sword .

More commonly “tsukuru” is used in its place with both words meaning to “make, create, manufacture. A koshirae should be presented with the tsuka hilt to the left, particularly in times of peace with the reason being that you cannot unsheathe the sword easily this way. During the Edo period, many formalized rules were put into place: Koshirae were meant not only for functional but also for aesthetic purposes, often using a family mon crest for identification.

Types of koshirae[ edit ] Tachi[ edit ] The tachi style koshirae is the primary style of mounting used for the tachi , where the sword is suspended edge-down from two hangers ashi attached to the obi. The hilt was usually secured with two pegs mekugi , as compared to one peg for shorter blades including uchigatana and katana. The tachi style koshirae preceded the uchigatana katana style koshirae. Uchigatana katana [ edit ] The uchigatana style koshirae is the most commonly known koshirae and it is what is most associated with a samurai sword.

Swords mounted in this manner are worn with the cutting edge up as opposed to the tachi mounting, in which the sword is worn with the cutting edge down. Han-dachi half tachi [ edit ] The han-dachi koshirae was worn katana-style but included some tachi related fittings such as a kabuto-gane instead of a kashira.

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An exceptional example of a very rare 18th century war knife. This example measures 52cms tall excluding the lanyard loop. The blade is As Rawson notes, this weapon type is indigenous to the most westerly part of Mysore, the Curg or Coorg and the Malabar coast which is noted on page 49 of his work “The Indian sword”.

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This is a very good, original example of the Model sword complete with its rare to find original scabbard. The cutting edge of the blade has no nicks or damage. The blade is etched on both sides with foliate decoration. The blade has staining consistent with age and would benefit from professional cleaning which would bring out the full detail of the decoration. The sword does not have any visible manufacturer, date, or inspection marks.

Its fish skin bound grip is undamaged and has its original brass wire binding which is intact and tight. The sword is complete with its original rare to find black leather scabbard with brass mounts and 2 original hanging rings. The leather and stitching of the scabbard are intact but the surface of the leather has small areas of surface wear to be expected. These swords are rare as they were produced in far fewer numbers than the infantry and cavalry due to the relatively smaller size of the artillery Regiments.

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They are art works in their own right and are widely collected. Some koshirae sword mounts , mostly tanto, were made without tsuba aikuchi koshirae. Tsuba were mostly made by specialized kodogu and tosogu sword fittings artists see schools of tsuba artists , although some sword makers produced tsuba tosho tsuba as did armour makers katchushi tsuba.

On Tuesday, November 20, Turner Auctions + Appraisals is pleased to offer a diverse selection of Asian Decorative Works of Art. The sale features over lots from China, Japan, Thailand, Indonesia and other countries, mostly from the 19th and 20th centuries.

Het wolwerk van Oosterhout in de zeventiende en achttiende eeuw; Uit de schaduw van Breda, op de schouders van Tilburg, kort gehouden door Holland. Clay pipes from Denmark. The archaeology of the clay tobacco pipe IV. BAR International Series 92, p. Clay pipes from the man-of war Kronan. Delfts aardewerk; geschiedenis van een nationaal product; deel II. Att datera en kritpipa.

Den svenska kritpipan; pipor tillverkare och fynd. Society for Clay Pipe research, nummer 84, p. Fries aardewerk, majolica faience, kerfsnee; Harlinger Aardewerk museum.

Japanese sword mountings

If you would like us to send you an email whenever we add new stock please enter your email address below and click GO. The phrase basket-type hilts refers to a large group of hilts which provide a degree of protection to the hand and wrist. Basket-hilted swords have featured prominently among British military edged weapons over the past five centuries, from the Wars of the Roses in the mid fifteenth century to the period immediately after the second Boer War of the early twentieth century.

In setting out to give a full account of the hilt type, and the many variants within it, the first necessity has been to provide an appropriate terminology to employ in cataloguing and describing individual examples. The book, well illustrated with black and white illustrations, falls into several parts, dealing successively with general aspects of various hilt types and discussion of typological methodology, the three major groups of basket-hilted swords, the diverse group of incomplete basket hilts, ‘mortuary’ hilts, and hilts closely related to ‘mortuary’ hilts.

The patina (surface coloration) gives the tsuba its beauty. Never clean tsuba or any sword fitting with metal polish, it will remove the patina and destroy the beauty and value of the item. Be aware that there are many modern replica and reproduction tsuba of varying quality on the market.

JPG There’s the requested photo, I’m guessing by that the gunto and scabbard aren’t a pair.. Well, there’s certainly a story that goes with this gunto. Without more info from your grandfather, all we have is speculation. The arrangement is just odd. But gunto coming in from occupied lands are often non-standard. I don’t know the history of Japan’s troops in Burma, but in general, troops occupying islands and foriegn locations often had little to no logistical support.

So repairs and parts often relied on locals. That’s what I’m thinking when I see this. The majority of it looks to be a standard Type 98 with metal saya scabbard.

Takumi Warrior | Buy Ninja Weapons & Gear

White braid band a little grubby Patent leather black peak with brass edge. The pistol has a good working action. It has an overall grey patina. A good solid pistol but there has been some pitting- please see photo. In my opinion this does not detract from a desirable Colt New Line, especially as it has matching serial numbers and is a scarce two digit number.

Angels images in Art History: An Angelic Journey through time Article written By editor Chester Comstock: Edited version appears in the Spring issue of “Sculptural Pursuit”.

A good overview of this history can be read here: This article is only aimed to give a short overview of the main medals and insignia the Dutch received and used during the conflict. The Cross was instituted on 23 July to be awarded to members of the N. This first contingent saw the hardest fighting of all and even lost its commander and several other officers and men when the staff was overrun by the Koreans A total of 3, Dutch soldiers served in Korea, the last unit returning to the Netherlands at the end of Those that went more than once would have the number of awards on the sword bar, like the 2 in the example below.

The 3 and 4 also exist but are very rare. Award certificate for the medal: United Nations Service Medal with clasp Korea Dutch Version The same basic medal was given to all participants of all countries with their own language. The Dutch can be recognized by the D on the box for the correct language version but some incorrect versions seem to have been made as well and handed out combination of two languages on one medal, bar and reverse in different language.

The Navy would not receive these at that moment in time.


Included there is a line “The tsuba makers are tanko”. From the Meiji and Tensho eras into the beginning of the Showa era Ko-Katchu-shi tsuba were already properly evaluated by those who appreciated them; however, there were few who had much interest in Ko-Tosho tsuba. Even among early tsuba, they had come to be seen as trifling.

A good Malaysian Keris from the Kedah provenance of Northern Malaysia. This interesting Malay keris features some very fine grained timbers and a fine Iras blade, likely inspired by Javanese craftsmanship or an heirloom or trade blade, being a perfect and original old union of blade and sarong.

Contact PHILIP Philip Michael Andersson aka Dj Philip started his deejay career in as an all-round deejay, playing all kinds of music from new wave to reggae at local parties and holding two residencies at 2 local clubs. When house music was born, Philip knew this was the music he loved! He held several residencies in legendary clubs. From there on the sky was the limit. Joining forces with artists like M. Philip was also one of the leading men behind the Gemini II project, and was the man who got Zippora here first international hit.

And played all over the world. Soon enough they boosted many local parties and clubs. Together with Nick At Night, close friend and party-promotor they started a fresh new concept at La Rocca named Papaya. Inviting many international stars such as Martin Solveig and Dr. Kucho, Papaya quickly became one of the leading parties at La Rocca.

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More commonly “tsukuru” is used in its place with both words meaning to “make, create, manufacture. A koshirae should be presented with the tsuka hilt to the left, particularly in times of peace with the reason being that you cannot unsheathe the sword easily this way. During the Edo period, many formalized rules were put into place: Koshirae were meant not only for functional but also for aesthetic purposes, often using a family mon crest for identification.

Types of koshirae[ edit ] Tachi[ edit ] The tachi style koshirae is the primary style of mounting used for the tachi , where the sword is suspended edge-down from two hangers ashi attached to the obi.

Tsuba (鍔 or 鐔): The tsuba is a hand guard. Tsuka (柄): The tsuka is the hilt or handle; made of wood and wrapped in samegawa. Tsuka-maki (柄巻): the art of wrapping the tsuka, including the most common hineri maki and katate maki (battle wrap).

Keitai denwa – the Japanese term for mobile, or cell, phones. Ken – prefecture – the generic suffix meaning “prefecture” used in 43 of Japan’s 47 prefectures. Japan’s Prefectures Kendama – Japanese game of “cup and ball”. Ki – life force. Kiku – chrysanthemun – the imperial flower. Kimigayo – a 10th century poem set to music in and adopted as the virtual national anthem of Japan in Past post-war controversy about its imperialistic associations has largely subsided, and in its use was finally codified in law, along with the Hinomaru.

Kimo-kawaii – gross-cute typified by the character Gloomy Bear. Kimono – traditional Japanese dress worn by both men and women. Kissaten – a small, neighborhood, Japanese-style coffee shop, now being overtaken by cafe chains. Kiyome no shio – salt stacked in a cone to purify an entrance way. Koan – Zen riddle or fable.

Koban – or polibox – neighborhood police boxes.

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